Essay Writing Notes by
Christopher Lay
Pierce College
Department of History,
Philosophy, and Sociology
Tips for Writing Philosophical Arguments and
Philosophical Essays
Careful |
Science classes have many appeals, and one of them is the fact that
things like 2+2=4 are the same regardless of which math class you are in.
Things aren't as easy in philosophy class. Different professors can have
different expectations. What follows are notes that spell out some of the general expectations
I have for essays turned into me. |
Philosophy Essays |
An academic philosophy essay is not the same thing as an English paper
or a history paper. Just as you don't normally turn in poetry to a physics class, or
chemistry formulas to an anthropology course, you don't normally turn in
standard English papers in to a philosophy course. But what is an academic philosophy essay? For me academic philosophy essays should show that the student has 1)
understood a relevant part of the assigned reading and 2) can provide a
relevant, original argument having to do with that part of the assigned
reading. |
"Doing
the Math" / "Showing
Your Work |
It is worth noting that there is some similarity between philosophy
papers and math homework: remember when you were learning how to do
division the "long" way and your teacher told you to "show
your work?" Well, something similar applies here: you need to
show your work. As such, the correct answer is insufficient; you
need to show how you came to the correct answer. (This is just
another way of saying that you must explain your points.) Put another way: don't assume that your reader knows why you are writing
what you are writing. |
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"The
Structure" |
Here is a paragraph structure that you can use to
explain a key concept. Statement, quote,
paraphrase, example, or analogy. Definition of relevant
term(s) from that statement. What that statement
means. Why is means that. What the statement
doesn't mean X (semi-obviously). Why the statement
doesn't mean X. What else the statement
doesn't mean, say Y (less obviously) Why the statement
doesn't mean Y. What your reader should
think as a result of having read the paragraph [Now, if you have space
and need, a follow-up paragraph structure.] Example of what it
means. Explanation of why that
example exemplifies what you say it exemplifies. Explain what the
example doesn't show. Explain now how the
statement and the example are relevant to your thesis. |
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Introductions |
In your introduction you need to introduce your reader to your entire
essay. I argue that academic
philosophy essays' introductions have three parts: 1) Give your reader as little information as possible to understand
your thesis. 2) Provide your reader with your thesis statement (which can sometimes
be rather long for short essays).
3) Introduce your reader to how you will support your thesis (that is,
introduce your reader to the argument you use to support your thesis). I call this the roadmap. A roadmap tells your reader, explicitly, how you will explain and
defend your thesis. It is something you say after positing your
thesis, and before you begin to explain and defend it. As such, it
introduces your reader to how you will execute your thesis. Here's a useful way of thinking about introductions in academic
philosophy essays: your introduction should "spoil" your entire
essay. |
Introduction
Writing Advice |
If you are like me, you'll need a working introduction just to get the
writing ball rolling. But I
usually end up supporting a thesis that is different from the one I begin
with. So, I argue that you should
rewrite your introduction after you have a fairly final draft of your entire
essay. |
Thesis
Placement |
Academic philosophy essays are not mystery novels: the reader
shouldn't find out "who-done-it" at the end. For essays turn in to me your thesis
should be in your first paragraph.
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The Role of Theses |
Having a thesis is having a point of view, and your essay supports
your thesis. As such, you thesis is that
which guides your paper. Frequently, when reader asks, "how
is this relevant?" they are wondering how what you've written fits in
with your thesis. Everything in the essay should relate to that thesis in a supporting
way. The longer the paper the more intermediary steps there may be
needed to explain why something is necessary, but you should always be able
to answer, for each sentence, why it belongs in your paper. The ultimate
answer should always be, "because it relates to/supports my
thesis." You need to come up with a thesis that answers any given prompt.
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Parts of
the Thesis |
Your thesis should be yours (original), an argumentative claim, and it
should be at least somewhat interesting.
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Modesty in Theses |
Modesty here means two things, first, that you don't overstate what it
is you have done (or think you have done), and second, that you don't bite
off more than you can chew. First: don't claim to have "proven" something
unless you really have. It is far too easy for someone, usually,
to disprove you. For instance, instead of "proven
false," consider "cast a shadow of doubt upon." It
is easier to get readers to agree with the latter, and less easy to get them
to agree with the former. Second: don't try and do more than space and time
allows. Here's the best advice I ever got in
college: do something small in a big way, not something big in a
small way. This second form of modesty requires more
attention. I said that you ought not try and do more than space
and time allows. A five-page paper is not going to have a thesis about an entire set of
social or psychological phenomena, or about an entire novel, but about a
small set of features of such things. Choosing the scope of your thesis (how broadly it can be applied) is
very difficult, but a properly narrow thesis is much better than unwieldy,
broad thesis. |
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Interesting Theses |
Sometimes you need to convince your reader that your thesis is
interesting (philosophical theses can sound pretty boring at
times). One good way to do this is to have a conclusion wherein
you speculate about what would be the case if your thesis is
correct. By showing the interesting implications of your thesis,
you can show how your thesis itself is interesting, and thus deserving of
attention. |
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One Last Point About Theses |
"I believe" claims tend not to be thesis
claims. Moreover, in philosophy we are interested in arguments (at
least at first). Besides, I will be grading your
on your capacities to carry on an argument, not on your beliefsÐgrading
beliefs is not what I do. |
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Quoting v. Paraphrasing |
For essays turned in to me your thesis should be relevant to a part of
an assigned text. That means that
you'll need to summarize and explain that part of the assigned text. Sometimes you may even need to quote
parts of the text. Finding the correct quote can be exhilarating, but putting it into
your paper may not be necessary. Finding the quote, and putting it
into your paper is easy, but paraphrasing that quote is usually more
difficultÐbut also more rewarding. Most importantly, it shows that
you understand the quote. Paraphrasing is, in general, better than quoting. Here is a
good, general guide for when to paraphrase instead of quoting: if you
can convey the same information in your own words without loss of meaning,
then a paraphrase is usually better. Readers of your paper tend to
understand you better than they understand academic philosophical writing
(right?!?). When grading your papers, graders need to see that you
understand what it is that you are representing (hence the "show your
work" point from above). If you can properly paraphrase passages,
then it shows your grader that you understand the material better than someone
who can only find the correct passage and quote it. And if a
paraphrase won't do, whenever you quote, you should also explain the quote to
the reader, to help them understand it (and to show your grader that you
yourself understand the quote). |
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Good
Quoting v. Bad
Quoting |
Quoting is usually necessary when: 1) attributing something controversial to the
person quoted, 2) you are pointing out something that is too
easily overlooked, or 3) your entire thesis depends on particular
wording. Bad quoting occurs, in my mind, when it seems like: 1) you have nothing to say and so are throwing
in quotes, 2) you are using long quotes to fluff up your
essay, or 3) you are afraid to commit to a paraphrase,
when a paraphrase
would convey the same information. |
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Your Argument |
Consider your thesis as the conclusion to your argument. This helps you think of your essays as
supplying the parts that are needed for your reader to understand and be
persuaded by your thesis. |
Argument |
When you have a thesis, you need to support it. Consider this, from Chapter Four "'Yes / No / Okay, But:' "Three Ways to Respond" of Gerald Graff &
Cathy Birkenstein's They Say, I Say: "To make an argument, you need to give reasons to support what
you say: because another's argument fails to take relevant factors into
account; because it is based on faulty or incomplete evidence; because it
rests on questionable assumptions; or because it uses flawed logic, is
contradictory, or overlooks what you take to be the real issue." |
Argument
with Agreement |
There are many ways to contribute to a conversation by agreeing with
what someone else has said, in an argumentative way. Consider this, from Chapter Four "'Yes / No / Okay, But:' "Three Ways to Respond" of Gerald Graff &
Cathy Birkenstein's They Say, I Say: You can argue for a plausible understand of what you agree with by
"pointing out unnoticed implications or explaining something that needs
to be better understood." "You may point out some unnoticed evidence or line of reasoning
that supports X's claims that X herself hadn't mentioned." "You may cite some ... situation not mentioned by X that her
views help readers understand." "If X's views are particularly challenging or esoteric, what you
bring to the table could be an accessible translationÐan explanation for
readers not already in the know." But make sure that you show how you are not repeating what others have
said. "[O]pen up some difference between your position and the one
you're agreeing with ... ." |
Gerald Graff & Cathy
Birkenstein's They Say, I Say
Chapter
Six "'Skeptics
May Object:' Planting a Naysayer in Your Text" |
Introducing a naysayer strengthens what you say by responding to what
hypothetical, critical others could say in response to your original
argument. |
Gerald Graff & Cathy Birkenstein's They Say, I Say |
Benefits |
Don't be upset when others criticize your work, consider it as an
opportunity to revise and strengthen, or sometimes even reverse, your
standpoint. |
"[E]ven though most of us are upset at the idea of someone
criticizing our work, such criticisms can actually work to our
advantage." |
Improvement
|
When objections are heard and answered, your essay can be markedly
improved. |
"[O]ur writing actually improves when we not only listen to these
objections but give them an explicit hearing in our writing." |
Yep |
"[N]o single device more quickly improves a piece of writing
[that already has a thesis] than the practice of planting a naysayer in the
text ... ." |
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"Anticipate
Objections" |
Buy you'll want to try and figure out how someone could object to what
you've written before others have even read it. |
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Credibility
|
Considering how others could object to your argument certainly does
"enhance your credibility." |
"We are urging you to tell readers what others might say
against you, but our point is that doing so will actually enhance your
credibility, not undermine it." |
Imagined
Other |
Imagine "what others might say against your argument." |
Engage "others in a dialogue or debate ... by opening your text
with a summary of what others have said, as we suggest in Chapter 1, but
also by imagining what others might say against your argument as it
unfolds." |
"When you entertain a counterargument, you make a kind of
preemptive strike, identifying problems with your argument before others can
point them out for you." |
"[O]pposing arguments can work for you rather than against
you." |
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Ethos |
By considering possible objections, you treat your readers "as independent,
critical thinkers who are aware that yours is not the only view in
town." |
"[B]y entertaining counterarguments, you show respect for your
readers, treating them not as gullible dupes but as independent, critical
thinkers who are aware that yours is not the only view in town." |
" ... you come across as a generous, broad-minded person who is
secure enough to open himself or herself to debate ... ." |
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Pragmatics
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(Considering how someone could object to your argument, you will have
less of a hard time meeting an essay prompt's page length requirements.) |
"[I]f you fail to plant a naysayer in your text, you may find
that you have very little to say." |
Vague
Other |
Considered objections can be put forth as what "one" could
argue. |
"[T]he objections in the [first set of templates for this
chapter] are attributed not to any specific person or group, but to
'skeptics,' 'readers,' or 'many.'" |
More
Determinate Other |
Considered objections can also be put forth as the type of objection
that a particular group could assert.
"Philosophers may disagree ... ." "One-legged honeybadgers will object that ... ." |
"But the ideas that motivate arguments and objections often
canÐand, where possible, shouldÐbe ascribed to a specific ideology or school
of thought (for example, liberals, Christian fundamentalists, neopragmatists)
rather than to anonymous anybodies." |
Labeling |
Labeling your naysayer "can add precision and impact." |
"In other words, naysayers can be labeled, and you can add
precision and impact to your writing by identifying what they are." |
Cautiously
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These labels do put people in "boxes, stereotyping them and
glossing over what makes each individual unique." |
"To be sure, some people dislike such labels and may even resent having
them applied to themselves. Some feel that such labels put individuals in
boxes, stereotyping them and glossing over what makes each individual
unique." |
Stereotyping
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"And it's true that labels can be used inappropriately, in ways
that ignore individuality and promote stereotypes." |
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Categories
for Life |
"But since the life of ideas, including many of our most private
thoughts, is conducted through groups and types rather than by solitary
individuals, intellectual exchange requires labels to give definition and
serve as a convenient shorthand." |
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"If you categorically reject all labels, you give up an important
resource and even mislead readers by presenting yourself and others as having
no connection to anyone else." |
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"You also miss an opportunity to generalize the importance and
relevance of your work to some larger conversation." |
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Cautious
Procedure |
"The way to minimize the problem of stereotyping, then, is not to
categorically reject labels but to refine and qualify their use ... ." |
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"Represent
Objections Fairly" |
Just as you should introduce and summarize others' views without bias,
so too should supposed objections be presented without bias. |
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Fairness and Generosity
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"[R]epresent and explain [the supposed objection] with fairness and
generosity." |
"Once you've decided to introduce a differing or opposing view
into your writing, your work has only just begun, since you still need to
represent and explain that view with fairness and generosity." |
Credibility
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"When writers make the best case they can for their critics (playing
what Peter Elbow calls the "believing game"), they actually bolster
their credibility with readers, rather than undermine it." |
"Although it is tempting to give opposing views short shrift, to
hurry past them, or even to mock them, doing so is usually
counterproductive." |
Make a
Strong Case for the Objection |
Try and present your supposed objection as fully and seriously as
possible. |
"[W]henever you entertain objections in your writing you stay
with them for several sentences or even paragraphs and take them as seriously
as possible." |
Empathic
Perspective |
"[R]ead your summary of opposing views with an outsider's eye:
put yourself in the shoes of someone who disagrees with you and ask if such a
reader would recognize himself in your summary." |
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"Answer
Objections" |
But be sure, of course, to answer the supposed objection. |
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Persuade |
Persuade your reader with your answer. |
"[W]hen you represent objections successfully, you need to answer
those objections persuasively." |
Risky |
There is a risk here. Your
reader may be more convinced of your objection than your answer. |
"[W]hen you write objections into a text, you always take the
risk that readers will find those objections more convincing than the
argument you yourself are advancing." |
"[Y]ou need to do your best to make sure that any
counter-argument you address is not more convincing than your own claims. It
is good to address objections in your writing, but only if you are able to
overcome them." |
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Whoa ... |
Really? What do you do
with supposed objections that you cannot persuasively answer? Bury your head in the sand? The authors have better advice, to which we'll turn soon. |
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Middle
Route |
"Often the best way to overcome an objection is not to try to
refute it completely, but to agree with certain parts while challenging only
those you dispute." |
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Self-Education |
Treat "the counter-view as an opportunity to revise and refine
your own position." |
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Formalism or
Inquiry? |
"Rather than building your argument into an impenetrable
fortress, it is often best to make concessions while still standing your
ground ... ." |
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Not
Formalism |
"[A]nswering naysayers' objections does not have to be an
all-or-nothing affair in which you either definitively refute your critics or
they definitively refute you." |
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Rather
Inquiry |
"Often the most productive engagements among differing views end
with a combined vision that incorporates elements of each one." |
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Don't Be
an Ostrich |
Now, what to do with those objections that you can't seem to come up
with a persuasive answer for? |
"But what if you've tried out all the possible answers you can
think of to an objection you've anticipated and you still have a
nagging feeling that the objection is more convincing than your argument
itself?" |
Abandon
Ship! |
"In that case, the best remedy is to go back and make some fundamental
revisions to your argument, even reversing your position completely if need
be." |
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Yes! |
"Although finding out late in the game that you aren't fully
convinced by your own argument can be painful, it can actually make your
final text more intellectually honest, challenging, and serious." |
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"After all, the goal of writing is not to keep proving that
whatever you initially said is right, but to stretch the limits of your
thinking." |
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"So if planting a strong naysayer in your text forces you to
change your mind, that's not a bad thing." |
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"Some would argue that that is what school and learning are all
about." |
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Sign-Posting |
Supporting complex theses sometimes requires you to help your reader
stay on point. Your essay should have a rigid structure, and your
reader may need to be reminded of that structure. Books do it with
chapters, larger research papers do it with sections. You can
remind your readers of your structure by giving them signposts at key points
of transition. Signposts usually correspond to the claims you make in
the "roadmap" part of your introduction. For example,
"Having considered y, it is now time to look at z," or,
"Before turning to a defense of my thesis, I shall first explain
x." It sounds like a petty exercise, but it has value. First,
as I've argued, it helps the reader stay on (the structure)
track. Second, it helps you stay on (the structure) track. Third,
and this is most important, it requires you to do what you say you've
done. As I've found, what a researcher thinks they've
done is often times different from what they've actually done. Having
to say what you've done makes this mistake less likely. Fourthly,
readers are sometimes gullible, and they'll fall for what you've said you've
done as opposed to what you've actually done. But don't over do
it. A five-page essay would probably only have twoÐmaybe threeÐ"signposts." |
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Conclusions |
It is in your conclusion where you "broaden out," as opposed
to the "narrowing in" of the introduction. Introductions and
conclusions include broad considerations, and the support sections of your
essays are all about narrow issues. In your conclusion you can
consider what could possibly concluded, supposing
that your thesis has been defended. Since this is just an exercise
in "supposing," you can make statements that do not need support,
though they need to be plausible. This tactic can be accompanied
by tacit claims that "additional research is needed." Just as the introduction shows how your research fits into a broader
spectrum of research, so too does your conclusion. |
Conclusion
Writing Advice |
For essays turned in to me, please avoid the "repeater"
conclusion where you summarize all that you've already said. That type of summarization belongs in
the introduction. |